149 bars of 4/4 at 146 BPM, about 4:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 45-51, and 3 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 23 times: bars 2, 4, 14, 16, 24, 32 and 17 more.
4 more fills are written out on the fills page.
149 bars across 14 sections: 109 keep time, 23 are fills and 1 is a stop. The longest unbroken stretch of time is bars 5-13.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
149 bars, about 4:05 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 2, 4, 14, 16, 24, 32 and 17 more.