161 bars of 4/4 at 140 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 37 and 46-48, and 3 more places -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 53 times: bars 10, 11, 12, 14, 15, 18 and 47 more.
16 more fills are written out on the fills page.
161 bars across 15 sections: 60 keep time, 53 are fills, 5 are stops and 30 are silent. The longest unbroken stretch of time is bars 92-100.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
161 bars, about 5:10 at the written tempo. The course breaks it into 55 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 53 times: bars 10, 11, 12, 14, 15, 18 and 47 more.