127 bars of 4/4 at 122 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 57-59, 61-62 and 65-67, and 5 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 22 times: bars 12, 34, 36, 38, 42, 48 and 16 more.
11 more fills are written out on the fills page.
127 bars across 17 sections: 76 keep time, 22 are fills, 5 are stops and 11 are silent. The longest unbroken stretch of time is bars 16-23.
122 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
127 bars, about 4:03 at the written tempo. The course breaks it into 49 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 22 times: bars 12, 34, 36, 38, 42, 48 and 16 more.