151 bars of 4/4 at 148 BPM, about 4:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-12, 19-24 and 73-78, and 3 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 7, 8, 15, 16, 32, 40 and 13 more.
6 more fills are written out on the fills page.
151 bars across 16 sections: 98 keep time, 19 are fills and 12 are stops. The longest unbroken stretch of time is bars 129-140.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
151 bars, about 4:05 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 7, 8, 15, 16, 32, 40 and 13 more.