147 bars of 4/4 at 115 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-59, 97-111 and 133, and 1 more place -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 9, 11, 31, 63, 73, 83 and 5 more.
1 more fill is written out on the fills page.
147 bars across 10 sections: 94 keep time, 11 are fills, 28 are stops and 5 are silent. The longest unbroken stretch of time is bars 42-59.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
147 bars, about 5:07 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 9, 11, 31, 63, 73, 83 and 5 more.