68 bars of 4/4 at 110 BPM, about 2:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 7-8 and 11-12, and 2 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 16, 18, 34, 37, 38, 47 and 5 more.
4 more fills are written out on the fills page.
68 bars across 9 sections: 41 keep time, 11 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 20-29.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
68 bars, about 2:28 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 16, 18, 34, 37, 38, 47 and 5 more.