179 bars of 4/4 at 132 BPM, about 5:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-16, 18-20 and 22-24, and 6 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 15 times: bars 13, 28, 45, 51, 67, 84 and 9 more.
6 more fills are written out on the fills page.
179 bars across 21 sections: 125 keep time, 15 are fills, 9 are stops and 6 are silent. The longest unbroken stretch of time is bars 91-112.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
179 bars, about 5:15 at the written tempo. The course breaks it into 57 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 13, 28, 45, 51, 67, 84 and 9 more.