239 bars of 4/4 at 140 BPM, about 6:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 102-108, 158-159 and 170-176, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 26 times: bars 14, 18, 24, 69, 85, 99 and 20 more.
9 more fills are written out on the fills page.
239 bars across 22 sections: 105 keep time, 26 are fills, 29 are stops and 54 are silent. The longest unbroken stretch of time is bars 172-183.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
239 bars, about 6:50 at the written tempo. The course breaks it into 65 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 14, 18, 24, 69, 85, 99 and 20 more.