111 bars of 4/4 at 145 BPM, about 3:00 of playing, on crash, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-3, 5-7 and 10-11, and 3 more places -- 14.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 12 times: bars 16, 18, 20, 22, 38, 40 and 6 more.
6 more fills are written out on the fills page.
111 bars across 18 sections: 76 keep time, 12 are fills, 7 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-15.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
111 bars, about 3:00 at the written tempo. The course breaks it into 49 exercises over 17 sittings, about 24 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
10 fills to learn, played 12 times: bars 16, 18, 20, 22, 38, 40 and 6 more.