112 bars of 4/4 at 130 BPM, about 3:26 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12-20, 37-46 and 71-81 -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 8 times: bars 1, 10, 22, 35, 47, 107 and 2 more.
2 more fills are written out on the fills page.
112 bars across 13 sections: 84 keep time, 8 are fills and 4 are stops. The longest unbroken stretch of time is bars 71-85.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
112 bars, about 3:26 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 8 times: bars 1, 10, 22, 35, 47, 107 and 2 more.