152 bars of 4/4 at 133 BPM, about 4:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13-15 and 33-35, and 2 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 5, 6, 7, 8, 9, 10 and 30 more.
12 more fills are written out on the fills page.
152 bars across 19 sections: 77 keep time, 36 are fills, 9 are stops and 8 are silent. The longest unbroken stretch of time is bars 42-48.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
152 bars, about 4:34 at the written tempo. The course breaks it into 62 exercises over 15 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 5, 6, 7, 8, 9, 10 and 30 more.