116 bars of 4/4 at 125 BPM, about 3:42 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4-10, 28-34 and 36-42, and 2 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 12 times: bars 11, 27, 35, 43, 59, 67 and 6 more.
4 more fills are written out on the fills page.
116 bars across 12 sections: 76 keep time, 12 are fills, 9 are stops and 10 are silent. The longest unbroken stretch of time is bars 4-10.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
116 bars, about 3:42 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 11, 27, 35, 43, 59, 67 and 6 more.