162 bars of 4/4 at 144 BPM, about 4:29 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 30 and 43-44, and 13 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 21 times: bars 29, 37, 41, 49, 50, 51 and 15 more.
5 more fills are written out on the fills page.
162 bars across 18 sections: 112 keep time, 21 are fills, 7 are stops and 3 are silent. The longest unbroken stretch of time is bars 8-28.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
162 bars, about 4:29 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 29, 37, 41, 49, 50, 51 and 15 more.