84 bars of 3/4 -- not four -- at 140 BPM, 1:48 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10, 12 and 14, and 3 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 24, 44 and 64.
84 bars across 8 sections: 52 keep time, 3 are fills, 15 are stops and 8 are silent. The longest unbroken stretch of time is bars 9-23.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 44 out of 100; the rest of the number is everything around it.
84 bars, about 1:48 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 24, 44 and 64.