128 bars of 4/4 at 130 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11-13 and 15-17, and 8 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 18 times: bars 48, 52, 56, 64, 67, 69 and 12 more.
12 more fills are written out on the fills page.
128 bars across 13 sections: 88 keep time, 18 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 10-40.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
128 bars, about 3:56 at the written tempo. The course breaks it into 49 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 18 times: bars 48, 52, 56, 64, 67, 69 and 12 more.