77 bars of 4/4 at a walking 81 BPM, 3:47 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 5-13, 17 and 21-29, and 1 more place -- 31.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 14 times: bars 45, 46, 47, 61, 68, 69 and 8 more.
77 bars across 7 sections: 43 keep time, 14 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 5-34.
81 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
77 bars, about 3:47 at the written tempo. The course breaks it into 21 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 14 times: bars 45, 46, 47, 61, 68, 69 and 8 more.