138 bars of 4/4 at a walking 90 BPM, 6:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
79 out of 100: demanding, mostly on how much of it falls off the beat.
snare through bar 1, hi-hat through bars 2-55, ride through bars 56-71, hi-hat through bars 72-76, snare through bars 77-82 and hi-hat through bars 83-104, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 52-54, 72-74 and 114-118, and 2 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1...............2...............3...............4...............
HH |o-------o-------o-------o-------o-------o-------o-------o-------|
SD |----------------x-------------------------------x---------------|
BD |x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-x-|13 fills to learn, played 23 times: bars 1, 8, 15, 19, 33, 40 and 17 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 76 out of 100; the rest of the number is everything around it.
138 bars, about 6:09 at the written tempo. The course breaks it into 57 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 1, 8, 15, 19, 33, 40 and 17 more.