138 bars of 4/4 at a walking 90 BPM, 6:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 52-54, 72-74 and 114-118, and 2 more places -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 23 times: bars 1, 8, 15, 19, 33, 40 and 17 more.
9 more fills are written out on the fills page.
138 bars across 14 sections: 65 keep time, 23 are fills, 30 are stops and 1 is silent. The longest unbroken stretch of time is bars 128-136.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 76 out of 100; the rest of the number is everything around it.
138 bars, about 6:09 at the written tempo. The course breaks it into 57 exercises over 21 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 23 times: bars 1, 8, 15, 19, 33, 40 and 17 more.