129 bars of 4/4 at 112 BPM, about 4:36 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 7 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 9, 17, 25, 29, 32, 45 and 8 more.
3 more fills are written out on the fills page.
129 bars across 17 sections: 82 keep time, 14 are fills, 12 are stops and 7 are silent. The longest unbroken stretch of time is bars 2-8.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
129 bars, about 4:36 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 9, 17, 25, 29, 32, 45 and 8 more.