152 bars of 4/4 at 120 BPM, about 5:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 15, 17-18 and 33-35, and 3 more places -- 7.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 50 times: bars 6, 8, 9, 10, 11, 12 and 44 more.
19 more fills are written out on the fills page.
152 bars across 22 sections: 53 keep time, 50 are fills, 4 are stops and 22 are silent. The longest unbroken stretch of time is bars 67-72.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 62 out of 100; the rest of the number is everything around it.
152 bars, about 5:04 at the written tempo. The course breaks it into 68 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 50 times: bars 6, 8, 9, 10, 11, 12 and 44 more.