346 bars of 4/4 at 120 BPM, about 11:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 17-31, 114-116 and 118-120, and 16 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 34 times: bars 32, 44, 59, 60, 86, 98 and 28 more.
14 more fills are written out on the fills page.
346 bars across 28 sections: 229 keep time, 35 are fills, 30 are stops and 22 are silent. The longest unbroken stretch of time is bars 163-189.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
346 bars, about 11:32 at the written tempo. The course breaks it into 97 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 34 times: bars 32, 44, 59, 60, 86, 98 and 28 more.