106 bars of 4/4 at 125 BPM, about 3:24 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-16 and 18-20, and 4 more places -- 23.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 5, 9, 17, 21, 23, 25 and 23 more.
12 more fills are written out on the fills page.
106 bars across 7 sections: 45 keep time, 29 are fills and 26 are stops. The longest unbroken stretch of time is bars 77-86.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
106 bars, about 3:24 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 5, 9, 17, 21, 23, 25 and 23 more.