280 bars of 4/4 at 110 BPM, about 10:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 117-121, 123-125 and 127-131, and 1 more place -- 7.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 56 times: bars 12, 13, 14, 25, 26, 48 and 50 more.
18 more fills are written out on the fills page.
280 bars across 34 sections: 142 keep time, 56 are fills, 17 are stops and 31 are silent. The longest unbroken stretch of time is bars 31-39.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
280 bars, about 10:32 at the written tempo. The course breaks it into 105 exercises over 33 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 56 times: bars 12, 13, 14, 25, 26, 48 and 50 more.