120 bars of 4/4 at 125 BPM, about 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31, 33 and 35, and 14 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 29 times: bars 8, 26, 30, 32, 34, 38 and 23 more.
10 more fills are written out on the fills page.
120 bars across 14 sections: 64 keep time, 29 are fills, 6 are stops and 7 are silent. The longest unbroken stretch of time is bars 52-58.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
120 bars, about 3:50 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 29 times: bars 8, 26, 30, 32, 34, 38 and 23 more.