110 bars of 4/4 at a walking 80 BPM, 5:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 12 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 22 times: bars 5, 27, 31, 34, 39, 57 and 16 more.
10 more fills are written out on the fills page.
110 bars across 11 sections: 60 keep time, 22 are fills, 12 are stops and 13 are silent. The longest unbroken stretch of time is bars 40-55.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
110 bars, about 5:24 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 5, 27, 31, 34, 39, 57 and 16 more.