101 bars of 4/4 at 120 BPM, about 3:22 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 35 and 37, and 8 more places -- 19.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 23, 31, 42, 49, 57, 74 and 7 more.
2 more fills are written out on the fills page.
101 bars across 10 sections: 48 keep time, 13 are fills, 9 are stops and 19 are silent. The longest unbroken stretch of time is bars 59-65.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
101 bars, about 3:22 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 23, 31, 42, 49, 57, 74 and 7 more.