110 bars of 4/4 at 125 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 52, 54 and 56, and 5 more places -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 21 times: bars 5, 7, 9, 19, 39, 40 and 15 more.
4 more fills are written out on the fills page.
110 bars across 12 sections: 66 keep time, 21 are fills, 4 are stops and 1 is silent. The longest unbroken stretch of time is bars 24-32.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
110 bars, about 3:33 at the written tempo. The course breaks it into 46 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 5, 7, 9, 19, 39, 40 and 15 more.