108 bars of 4/4 at 125 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 12-13, 16-17 and 22-23, and 3 more places -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 5, 7, 9, 15, 18, 19 and 28 more.
9 more fills are written out on the fills page.
108 bars across 14 sections: 45 keep time, 34 are fills, 15 are stops and 2 are silent. The longest unbroken stretch of time is bars 64-69.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
97 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 99 out of 100; the rest of the number is everything around it.
108 bars, about 3:33 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 5, 7, 9, 15, 18, 19 and 28 more.