177 bars of 3/4 -- not four -- at 130 BPM, 4:05 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-49, 51-52 and 64-65, and 24 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 41, 53, 57, 73, 89, 97 and 10 more.
6 more fills are written out on the fills page.
177 bars across 14 sections: 105 keep time, 16 are fills, 35 are stops and 10 are silent. The longest unbroken stretch of time is bars 27-40.
130 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
177 bars, about 4:05 at the written tempo. The course breaks it into 42 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 41, 53, 57, 73, 89, 97 and 10 more.