53 bars of 4/4 at 114 BPM, about 1:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19, 21-23 and 29, and 6 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 8, 20, 24, 28, 40, 52 and 1 more.
1 more fill is written out on the fills page.
53 bars across 9 sections: 29 keep time, 7 are fills and 7 are stops. The longest unbroken stretch of time is bars 30-35.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
53 bars, about 1:52 at the written tempo. The course breaks it into 30 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 8, 20, 24, 28, 40, 52 and 1 more.