148 bars of 4/4 at 135 BPM, about 4:23 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 36 more places -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 10 times: bars 3, 4, 35, 36, 83, 84 and 4 more.
148 bars across 18 sections: 92 keep time, 10 are fills, 21 are stops and 4 are silent. The longest unbroken stretch of time is bars 13-20.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
148 bars, about 4:23 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 27 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
2 fills to learn, played 10 times: bars 3, 4, 35, 36, 83, 84 and 4 more.