155 bars of 4/4 at 135 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 124-130, 132-134 and 136, and 2 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 45 times: bars 19, 23, 24, 25, 27, 31 and 39 more.
13 more fills are written out on the fills page.
155 bars across 18 sections: 77 keep time, 45 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 51-56.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
155 bars, about 4:36 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 45 times: bars 19, 23, 24, 25, 27, 31 and 39 more.