The beat the song is built on is a 2-bar phrase, played through bars 157-171, 173-179 and 181-187 -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, snare and kick, counted in sixteenth notes. On its own it scores 49 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 56 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
The room opens this beat on its simplest reduction, at 143 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 143, 166 and 190 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, snare and kick, in 4/4 at 190 BPM, counted in sixteenth notes. It is written out above, and it covers 15.8% of the bars the kit plays.
Bars 157-171, 173-179 and 181-187. The time is kept on the kick and crashes to start with, and it changes 19 times over the song.
49 out of 100 on its own -- a step up. The song as a whole is 56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.