74 bars of 4/4 at 112 BPM, about 2:39 of playing, on hi-hat, snare and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 3-4, snare through bars 5-8, hi-hat through bars 9-28, snare through bars 29-32, silence through bars 33-36 and snare through bars 37-44, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 9-12 and 69-74 -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9
1.......2.......3.......4.......
HH |----o-------o-------o-------o---|
SD |----x-------x-------x-------x---|
BD |x---------x-----x---------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
74 bars, about 2:39 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.