74 bars of 4/4 at 112 BPM, about 2:39 of playing, on hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 9-12 and 69-74 -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
74 bars across 14 sections: 52 keep time and 10 are silent. The longest unbroken stretch of time is bars 37-44.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
74 bars, about 2:39 at the written tempo. The course breaks it into 28 exercises over 10 sittings, about 25 minutes each.
hi-hat, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.