138 bars of 4/4 at 126 BPM, about 4:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 42-46, 71-75 and 79-83, and 1 more place -- 12.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 34 times: bars 6, 8, 16, 17, 25, 33 and 28 more.
13 more fills are written out on the fills page.
138 bars across 14 sections: 78 keep time, 34 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 121-128.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
138 bars, about 4:22 at the written tempo. The course breaks it into 59 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 34 times: bars 6, 8, 16, 17, 25, 33 and 28 more.