354 bars of 4/4 at 120 BPM, about 11:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 46, 49-51 and 57, and 44 more places -- 27.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
21 fills to learn, played 62 times: bars 14, 15, 16, 32, 44, 48 and 56 more.
17 more fills are written out on the fills page.
354 bars across 28 sections: 242 keep time, 62 are fills, 11 are stops and 4 are silent. The longest unbroken stretch of time is bars 153-167.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
354 bars, about 11:47 at the written tempo. The course breaks it into 110 exercises over 30 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 62 times: bars 14, 15, 16, 32, 44, 48 and 56 more.