117 bars of 4/4 at a walking 80 BPM, 5:51 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 10-15 and 18-21, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 13 times: bars 16, 37, 41, 44, 45, 49 and 7 more.
4 more fills are written out on the fills page.
117 bars across 10 sections: 89 keep time, 13 are fills and 1 is a stop. The longest unbroken stretch of time is bars 92-104.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
117 bars, about 5:51 at the written tempo. The course breaks it into 47 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 13 times: bars 16, 37, 41, 44, 45, 49 and 7 more.