130 bars of 4/4 at a walking 78 BPM, 6:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 59-65, 67-71 and 103-107 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 54 times: bars 5, 6, 7, 8, 9, 10 and 48 more.
9 more fills are written out on the fills page.
130 bars across 12 sections: 52 keep time, 54 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 14-26.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
130 bars, about 6:40 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 54 times: bars 5, 6, 7, 8, 9, 10 and 48 more.