137 bars of 4/4 at 123 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
toms through bars 3-4, snare through bars 5-12, hi-hat through bars 13-46, snare through bars 47-54, hi-hat through bars 55-88 and snare through bars 89-96, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 13-15, 17-23 and 25-31, and 5 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14
1e+a2e+a3e+a4e+a
HH |x-x-x-g-g-o---xx|
SD |----x-----x-----|
BD |x-----x-x-----x-|
HF |------------g---|7 fills to learn, played 16 times: bars 3, 4, 16, 24, 32, 36 and 10 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
137 bars, about 4:27 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 3, 4, 16, 24, 32, 36 and 10 more.