137 bars of 4/4 at 123 BPM, about 4:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-23 and 25-31, and 5 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 16 times: bars 3, 4, 16, 24, 32, 36 and 10 more.
3 more fills are written out on the fills page.
137 bars across 15 sections: 104 keep time, 16 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 98-109.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
137 bars, about 4:27 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 3, 4, 16, 24, 32, 36 and 10 more.