118 bars of 4/4 at 124 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-21, 23-24 and 41-43, and 9 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 24 times: bars 16, 40, 44, 47, 53, 55 and 18 more.
8 more fills are written out on the fills page.
118 bars across 12 sections: 72 keep time, 24 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 24-39.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
118 bars, about 3:48 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 16, 40, 44, 47, 53, 55 and 18 more.