121 bars of 4/4 at 145 BPM, about 3:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 43-48, and 2 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 14 times: bars 5, 6, 16, 17, 22, 26 and 8 more.
6 more fills are written out on the fills page.
121 bars across 16 sections: 73 keep time, 14 are fills, 11 are stops and 9 are silent. The longest unbroken stretch of time is bars 43-49.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 57 out of 100; the rest of the number is everything around it.
121 bars, about 3:20 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 5, 6, 16, 17, 22, 26 and 8 more.