141 bars of 4/4 at 143 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 45-47, and 11 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 20, 28, 40, 44, 52, 60 and 13 more.
9 more fills are written out on the fills page.
141 bars across 14 sections: 41 keep time, 19 are fills, 35 are stops and 40 are silent. The longest unbroken stretch of time is bars 14-19.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
141 bars, about 3:57 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 20, 28, 40, 44, 52, 60 and 13 more.