104 bars of 4/4 at 120 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 49, 51 and 53, and 5 more places -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 33 times: bars 6, 9, 10, 11, 12, 13 and 27 more.
7 more fills are written out on the fills page.
105 bars across 12 sections: 52 keep time, 33 are fills and 3 are stops. The longest unbroken stretch of time is bars 58-66.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 75 out of 100; the rest of the number is everything around it.
104 bars, about 3:26 at the written tempo. The course breaks it into 48 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 6, 9, 10, 11, 12, 13 and 27 more.