109 bars of 4/4 at 130 BPM, about 3:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-33, 38-45 and 93, and 1 more place -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 5, 9, 52, 53, 56, 57 and 2 more.
110 bars across 11 sections: 81 keep time, 8 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 74-87.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
109 bars, about 3:20 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 5, 9, 52, 53, 56, 57 and 2 more.