231 bars of 4/4 at 130 BPM, about 7:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-41, 43-45 and 47-49, and 5 more places -- 7.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 51 times: bars 20, 24, 28, 29, 33, 37 and 45 more.
23 more fills are written out on the fills page.
231 bars across 21 sections: 111 keep time, 51 are fills, 44 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-7.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
231 bars, about 7:03 at the written tempo. The course breaks it into 99 exercises over 30 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 51 times: bars 20, 24, 28, 29, 33, 37 and 45 more.