123 bars of 4/4 at 128 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-11, 35-36 and 67-69, and 3 more places -- 10.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 34 times: bars 9, 11, 12, 13, 14, 15 and 28 more.
8 more fills are written out on the fills page.
123 bars across 14 sections: 36 keep time, 34 are fills, 29 are stops and 13 are silent. The longest unbroken stretch of time is bars 59-62.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
123 bars, about 3:50 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 34 times: bars 9, 11, 12, 13, 14, 15 and 28 more.