146 bars of 4/4 at 129 BPM, about 4:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 5 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 48 times: bars 20, 24, 26, 27, 28, 29 and 42 more.
146 bars across 7 sections: 81 keep time, 48 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 92-114.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
146 bars, about 4:33 at the written tempo. The course breaks it into 25 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 48 times: bars 20, 24, 26, 27, 28, 29 and 42 more.