149 bars of 4/4 at 133 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-24, 38-40 and 42-44, and 3 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 17, 25, 37, 41, 45, 53 and 5 more.
1 more fill is written out on the fills page.
149 bars across 9 sections: 108 keep time, 13 are fills and 16 are stops. The longest unbroken stretch of time is bars 68-82.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
149 bars, about 4:29 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 17, 25, 37, 41, 45, 53 and 5 more.